- 2024
- October 2024
- September 2024
- August 2024
- July 2024
- June 2024
- May 2024
- April 2024
- March 2024
- February 2024
- 2023
- December 2023
- November 2023
- October 2023
- January 2023
- 2022
- September 2022
- 2021
- November 2021
- May 2021
- 2020
- August 2020
- July 2020
- June 2020
- April 2020
- 2019
- June 2019
- January 2019
- 2018
- July 2018
- May 2018
- March 2018
- February 2018
- January 2018
- 2017
- December 2017
- November 2017
- October 2017
- September 2017
- June 2017
- May 2017
- April 2017
- March 2017
- January 2017
- 2016
- December 2016
- September 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- 2015
- December 2015
- November 2015
- October 2015
- August 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- 2014
- December 2014
- November 2014
- September 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- 2013
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- 2012
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- 2011
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- 2010
- December 2010
- November 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- 2009
- December 2009
- November 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- 2008
- December 2008
- October 2008
- July 2008
- June 2008
- May 2008
- April 2008
- February 2008
- January 2008
- 2007
- December 2007
- November 2007
- October 2007
- September 2007
- July 2007
- June 2007
- April 2007
- March 2007
- February 2007
- January 2007
- 2006
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- 2005
- December 2005
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
- May 2005
- April 2005
- 2004
- October 2004
- September 2004
June 4, 2007
5 Reasons DRM Will Die within 5 Years…And 5 Things You Can Do To Make Sure it Does
Just spent the last few days out at the National Book Expo and had a lot of conversations with major publishers about DRM. The general consensus among most people is that DRM is on the way out. Apple.com’s homepage is featuring DRM-free music. Top articles talking about the demise of DRM (such as this one I wrote back in November) regularly are featured on popular media sites like Digg and TechCrunch. However, there is still a lot of resistance from big content companies (e.g., record labels, publishers, etc.) to put content out there DRM-free.
In this article I’ll give five reasons why you won’t see DRM (at least not audio-based DRM) five years from now. Hopefully this article will help (at least in a small way) to convince big content companies to move away from DRM sooner rather than later. I’ll also give five suggestions for things you can do to speed DRM’s demise.
Reason #1 – The mobile media market. According to projections within five years there will be more than four billion media-enabled mobile phones on the market. That’s an incredibly huge opportunity for content providers (witness what happened in the ringtone market a few years back and you’ll have a sense of the upcoming explosion in mobile audio content). However, mobile content companies and carriers don’t want to deal with a variety of proprietary file types. They’ll instead want to focus on a limited number of non-proprietary file types like MP3 and AAC. In and of itself this trend is very likely to put an end to audio DRM.
Reason #2 – EMI. The fact that the world’s fourth largest record label was willing and able to make their entire catalog available DRM-free is testament to how far we’ve come. Getting the sign-off to do this was no insignificant thing as it meant convincing artists, agents and many others in the music industry that this was a good thing. If EMI was able to do it then it’s only a matter of time before others will follow (assuming that EMI has reasonable success with their strategy). Up until a month ago many people assumed that convincing major content providers to go DRM-free was just too hard. EMI has helped to show that while it isn’t easy, it is achievable.
Reason #3 – Amazon. Amazon recently announced they were launching a DRM-free music store. Amazon is already one of the Top 5 sellers of music depsite never having sold a single music downloand. Their entrance into the market wiill have a huge impact and as labels and publishers realize the huge amount of the money they are missing by not being DRM-free and not being included in Amazon’s digital catalog most of them likely will make the switch.
Reason #4 – Growing customer awareness. The infamous Steve Jobs memo and other news of late has helped bring DRM to the forefront of customer awareness. Although many people still don’t know what DRM is that is gradually changing. And as customer’s perceptions change they’ll start to demand that they can do what they want with their media uncumbered from DRM. That will help lift sales of DRM-free content and convince more content onwers to make the switch. That’ll be one helluva virtuous cycle.
Reason #5 – Increasing complexity. We live in a world that is moving incredibly fast. There are more devices being produced than ever, more websites selling content and more consumers. The challenge with any proprietary, DRM-infected platform is that it has to do so much more work to adapt to the changing world. For instance, our main competitor Audible.com has to work diligently to ensure that mobile handsets supports its “.aa” files (Hint: Most don’t). We just need to make sure that mobile handsets support MP3 and AAC files (Hint: Most do and in the future it’s a pretty safe bet that they all will.). Makes our job a whole lot easier.
For these five reasons I think you’ll see a complete end to DRM as early as the end of this decade. Want to speed the process? Take the five steps below:
#1 – Support Apple/EMI. One of the first things I’m doing this week is buying a bunch of iTunes DRM-free content. First of all, it makes sense to me to do this now that it isn’t crippled content that I might not be able to play a few years from now. Second, I’m voting with my dollars. If Apple and EMI report great sales it’ll help the other record labels to follow suit.
#2 – Support other people selling DRM-free content. A while back I posted a round-up of other DRM-free providers of audio content. I encourage you to patronize these sites. Sure this is self-serving but I truly believe that by spending the vast majority of your money on DRM-free content you’ll send a clear message to content owners.
#3 – Support organizations that are fighting against DRM. DefectivebyDesign.org is probably the best place to start. Donate money to them and see how else you can help them out. These guys have been fighting the fight for a long time and the tide is starting to turn in no small part due to the efforts of people like Corey Doctorow, Jason Calacanis and others who’ve railed against DRM in the past.
#4 – Spread the word about DRM. The next time you see a friend downloading DRM-infected songs off iTunes ask them if they know about DRM. Explain to them that they might want to think twice about buying a song they may not be able to play in a few years. You’ll be doing them a favor and at the same time you’ll be helping spread awareness.
#5 – Digg, Furl, del.icio.us, etc. this article. 🙂
We’re getting really close to a DRM-free world and if we band together on this one we can move into a world where the power shifts back into the hands of the consumer and messages like “not authorized to play” are a thing of the past.