Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art.

Shelley's father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. As a child, Shelley and her siblings adored both the house and the fashion shows that took place there, but as she grew older Shelley also began to rebel against her father's excessive design principles.

Thirty years on, Shelley moves back home to care for her father, now in his 80s: the house has not changed and neither has his uncompromising vision. As Shelley installs her pots of herbs on the kitchen windowsill, he insists she take them into her bedroom to ensure they don't 'spoil the line of the house'.

Threaded through Shelley's book is her father's own story: an Orthodox Jewish childhood in Yugoslavia, his rejection of rabbinical studies to pursue a life of art, his arrival in postwar Britain and his imagining of a house filled with light and colour as interpreted by the architect Peter Womersley.

A book about the search for belonging and the pain of letting go, The See-Through House is a moving memoir of one man's distinctive way of looking at the world, told with tenderness and humour and a daughter's love.